composer, arranger, performer

Reviews

 
[Straight Ahead is] the soundtrack to a powerful stride, a freedom anthem promoting pride in oneself
— Amelia Torresan (Amnplify)
[The Trumpet Concerto is] a lyrical and yet brilliant work... the composer has successfully balanced striking melodies with virtuosity... An outstanding work, accessible to contemporary audiences
— Kevin Bonnett (Music Trust eZine)
[the] concerto fusion of commercial, jazz and classical influences is fresh and enticing
— Iwan Fox (4barsrest, reviewing David Elton in Trumpet Concerto)
Andrew’s music is idiomatic, imaginative and challenging, and the rhythmic aspect is ingenious and effective
— Professor Stephen Ingham (University of Wollongong)
... This stuff is really cool! Highlights include Andrew Batterham’s opening piece Organica, which uses an interesting bit of electronic manipulation of the guitar part...
— Al Kunze (Soundboard Magazine)
I have worked with Andrew on a number of narrative and corporate film projects... His unique talent never fails to move me, he has the ability to cross into all genres with equal effect. He … can respond to a brief while still remaining adaptable
— Bruce Grantford (Apricot Productions)
 
 
Sits comfortably between jazz and classical contemporary
— Steve Moffat (Sydney Daily Telegraph)
 
 
Andrew Batterham’s [music] maintains accessibility [and] works hard to convey its cross-fusion statements, employing a muted version of techno and dance music rather than belabouring the audience with mindless repetition... The piece reminded me overwhelmingly of film music, particularly in its climatic stages and specifically of Ennio Morricone
— Clive O'Connell (The Age, Melbourne)
Batterham avoids the temptation of cheap tricks, such as the crude mimicry of bush sounds. Instead, he draws on the resources of a sophisticated composition technique
— Johanna Selleck (Herald Sun, Melbourne)
Photo: Sergio Carolino

Photo: Sergio Carolino

The work is subtle, melodically interesting, using solo instruments (cor anglais and trumpet) with discretion and a clear sense of their potential. What impressed me most was that the brief piece works by understatement, rather than by bludgeoning the listener with over-emphatic colour
— Clive O'Connell (The Age, Melbourne)
 
 
Batterham’s buoyant ‘How to Win the Rat Race’ rings down the curtain
— Jack Bowers (All About Jazz.com)
The Caprice is for me the highlight of this disc. The playing from both parties has both moments of extreme technical prowess and also clear direction in the music making
— Dr David Thornton (Adams Euphonium Artist, Brass Band World)
I am very grateful to Andrew Batterham for his terrific score. The songs are a part of the narrative, [and] It was fantastic to create these songs with Andrew
— Joachim Matschoss (playwright)
It is a pleasure to work with Andrew as he combines a highly developed musical imagination with sure technical skills. He understands textual matters and has an unusual ability to match his work to the ability of the performers for whom he is composing
— Douglas Lawrence OAM
 
 
Where words could fail through the language barrier in Austria, Hungary and Switzerland, ‘Vanguard’ beautifully summed up our Symphonic Band and the band’s first European tour by providing a jubilant and triumphant heralding at the opening of each of our concerts
— Simon Brown (Caulfield Grammar School)
 
 
Thank you for the marvellous arrangements you wrote, they worked fantastically well. Your orchestrations were perfectly tailored for our forces - playable and singable but with challenges
— Paul Jones (Balwyn High School)